This feeling is the same with her new album, which is released in two parts a digital mp3 version with a continuous performance, and an otherwise identical CD with separate tracks. And it's also not the level of musicianship, which is very high, with Dawn Clement on piano and Fender Rhodes, Mark Helias on bass and Matt Wilson on drums - what a line-up! And Jane Ira Bloom's playing is excellent too, warm, precize, creative. Because it's all so great, post-bop of the highest level, or even at times in a category of her own, I'm sure the problem must reside with me.
So, enjoy, because it's good. Download as 1 track from eMusic. When I first listened to the CD, a strong memory of the Thomas Chapin trio arose : a powerful sax trio, which often starts tracks with a strong riff-like vamp, as the kick-off for great improvizations, always with a strong sense of melody and rhythm, fierce, hard-hitting yet at times sentimental and romantic : in other words : a weird combination but it works. The three musicians have been working in various fields of jazz, always on the look-out for new adventures, new trials and opportunities to enlargen their own horizon, mixing styles and blending genres, and it's good to hear them in such a straight-ahead trio format, yet the amazing thing is that they kind of integrate the findings from their adventures into rock, avant-garde, balkan and electronic jazz in the acoustic music they bring here.
The Human Feel brings more composed avant-garde jazz - and I wasn't too impressed with last year's "Galore", but on this record, feeling is much more imporant than form. This album is also miles away from D'Angelo's Scandinavian aggressive hard noise free jazz adventure with the Morthana trio. One of the many qualities of this band is the variation in the compositions. The first track is powerful free bop adventure, the second starts with a strong bass line for four minutes of melodic polyrhythmic joy with Dunn leading the dancethe third a kind of ballad that goes haywire without loosing focus, the fourth a relentless hard-hitter with Black in a leading rolefollowed by the romantic more abstract "Rutloosic", which starts with a great and intense conversation between bass clarinet and arco bass, "Morthana" is built around a joyful boppy tune on alto, while "Boo Be Boo Bee Bee" great title!
This combination of raw energy, melodic themes, musical adventure and emotional expressiveness works well for D'Angelo.
He gets the freedom here that he seems to have missed in the past. Great album! Creating musical tension is not an easy task : you need to work on a sense of anticipation from the listener, who enjoys the surprises and contradictions he or she is confronted with, wanting to hear more of it, anxious about how the music is going to Jus De Bocse - MoOvies (CD, eager to know where it's going to end. The very first tones of "Soizig", the first track, already suck the listener into this feeling : brushed drum-playing, with rhythmic but asymmetric bass-playing is spiced with eery metallic sounds by guitar and sax.
Tension is built, with little flourishes of relief, but not yielding everything. The contradiction is to be found in the tension between the incredible sense of rhythm, often repetitive and hypnotic, over which odd and often abstract unisono melodies are played, making the music inviting yet unfamiliar, forming the basis for controlled improvizations. The four band members are absolutely excellent in the overall unity of style the record brings, switching between soft loaded passages and fierce intense moments with screeching guitar and whailing baritone sax.
Corneloup is a great baritone sax player as I mentioned earlier and Hasse Poulsen uses lots of extended techniques on his guitar and litterally with great effect, Album). The only track which does not really quite fit is "Good Boy", bringing a folky melody on the acoustic guitar, a little bit too joyous for the dark mood and complex elaborations on the rest Album) the album.
The title "times are changing" not only refers to the time in between sounds rhythmic definitionbut also to the fact that because times are changing so fast real life definitionwe should not be deaf to the world and listen carefully, but above all, we should have a sense of urgency in what we have to say and play even more lively. Let's hope that she walks the talk and doesn't wait another ten years for her next album.
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