I liked that the pages weren't tiny details that were difficult to color but enough detail to make them stand out. Here at Walmart. Your email address will never be sold or distributed to a third party for any reason. Due to high volume, we can't respond to individual comments. Your feedback helps us make Walmart shopping better for millions of customers. Recent searches Clear All. Enter Location. Update location. Report incorrect product information. Pearlyn Choco; Paige Tate Select.
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Manufacturers, suppliers and others provide what you see here, and we have not verified it. See our disclaimer. This premium version includes removable 8 x 10 and 5 x 7 designs printed on thicker paper with perforated edges, perfect for framing! By the team behind the national bestseller Beauty in the Bible This adult coloring book is filled with both 8 x 10 and 5 x 7 designs, perfect for framing Printed on thick, premium quality paper with perforated edges Designs range in complexity from beginner to expert-level Provides hours of stress relief, mindful calm, and fulfilling expression through inspirational Scripture lessons and soothing patterns.
Specifications Age Range All Ages. Customer Reviews. Average Rating: 4. See all reviews Write a review. Average Rating: 5. See more. Grandmomoftwins, January 19, Verified purchaser. The titles within each page reminds me of the love God showed his children.
June, June 14, Faith In This Colour, Coloring is very relaxing and I loved the Christian coloring book. The orchestration would bring faith outside of the walls of institutions into an experience of encounter, expression of common acceptance and tolerance, and offer the opportunity to those of many faiths to extend their reach beyond and across institutional walls.
The historic culture of pluralism gets reflected upon, honoured, and expressed in the public realm. The orchestration offers an opportunity to reframe security, reclaiming it from those who use faith to justify and create instability. These cities often have long-standing travel advisories against visiting them on the basis of insecurity. The cities will offer a global invitation from the voice of those who claim cultures of warmth, peace, and acceptance.
As places of historic pluralism, these landmarks will be highlighted as a point of reference for what is possible elsewhere in the world. Kenya has in recent years been in the limelight of the global experience of a growing dominance of fundamentalist voices and acts of terror justified on religious grounds.
This is particularly sad because Kenya has had a long established culture of religious acceptance, tolerance, accommodation and exchange. These cultures are being undermined by an infusion of hardline interpretations of faith and the deepening of a global identity based on media stories about division, terrorist attacks and insecurity. The risk is a cultural confusion that would have agents of insecurity succeed in dividing these societies.
The idea is to focus on houses of worship e. The colour yellow would represent a physical manifestation of LOVE as the most important value in any religion. The colouring of the buildings would highlight the idea that there is more that unites us than divides us as a people, African and otherwise. Colour-in-Faith is being developed in partnership with in-Commonsan organisation that makes the world better by making good people common and common places good.
Introduce potential collaborators to the concept of public art as a medium for social commentary and transformation. This includes providing a review of the evolution of public art over the last two decades in order to set the foundation for brainstorming and sharing the concept for feedback.
Consulting with local cultural innovators to orchestrate the project in a conscious, intentional and strategic way. This includes:.
Engaging in a process of observation that would support how to better engage with our communities. The local leadership team will be identified to include an artist, a community organiser, project manager which will shoulder the majority of the implementation responsibilities. A program would Faith In This Colour developed could include exhibitions, workshops, panels and discussions before and after the event. Necessary support including permits and government support, corporate sponsors and media support would be sought.
Budgeting, scheduling and delegation of tasks would take place. The public orchestration is realised and documented video, photography, audio, writing. After the event, organisers go through an analysis and capacity development phase. Here a public forum can be held to get witness statements and reflections. Local project leaders are guided on how the tools used can be used for creating future installations. Nabila Alibhai Faith In This Colour.
Yellow is the colour of the Faith In This Colour that embellish her adulthood, in and out of bathtubs.
Yazmany Arboleda b. He is also an East African Fellow with Acumen fund. He interned with the artist Syowia Kyambi and the Kuona Trust. Yellow Faith In This Colour the colour of the crisps that his grandmother makes to make his days a little brighter. In the past, this has included engaging 10, people on the streets. Public art benefits people in many different ways. It raises awareness of issues, and awakens a sense of possibility and of belonging.
It reminds us of the potential of people coming together to do something unexpected that generates a conversation, bringing into that conversation people who have felt abandoned or even ostracised by more traditional frameworks. Essential to our ethos is the local nurturing of the entire project, from identifying an issue to ideating a concept to implementing it. The people impacted tend to be diverse and often under-served by other types of activism: public art tends to bring in people who often do not take part in other potentially unifying or cathartic social debates.
Load More Follow on Instagram. Colour In Faith is an art project grounded primarily on the idea that we all belong to each other. While there are many diving lines that continue to thrive, I am interested in exploring how art can be used to erase boundaries. The inspiration for my work comes from the people I encounter moment to moment in my life. Colour in Faith is an opportunity for self-reflection as individuals, communities and as a country about what it is that elevates us in pursuit of higher purpose.
The series of terror attacks we have experienced have left us feeling powerless and as a country we struggle with how to heal and how to play an active role in steering our collective future in ways that feel relevant, meaningful, and of our choosing.
For many this expresses itself as a crisis in religious identity with some seeking brotherhood in extremism.
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