Music has always been my passion. By that time, I had already written some simple pieces. Your Adult Life Started. What Was Interesting about It? For some inexplicable reason, I went to the same music school which had not accepted me when I was seven. In a couple of months, I already knew more than she did, as the teacher said after we wrote a dictation.
It was a big deal for Заковали - Белый Орёл* - Как Мы Любим (CD, as I was obsessed with knowledge! Twelve Girls and Me When I went to music college, our music theory teacher was Luisa Markovna Pulik, and she did a great job teaching us this most important subject for any composer. There were thirteen students in our group: twelve girls and me. Once, I was a bit late for the class, but that was for a reason: it was on the eighth of March, Album).
I had been thinking how to congratulate the girls and, as it usually happens, the decision came out of the blue! I bought thirteen greeting cards and wrote a short melody on the backside of each one.
Fancy the amusement and the laughter! The girls started to recognize themselves in the Album) Our teacher played every melody on the piano. Finally, she took the thirteenth card and saw a harmonized melody on it.
I was graduating with a string quartet and a concerto for flute and orchestra. By the way, the concerto was performed the same year by State Chamber Orchestra of Armenia, and then it was also performed at the Заковали - Белый Орёл* - Как Мы Любим (CD of Baltic and Transcaucasian Republics.
By that time I had already left the institute and I had enrolled at the conservatory. I was composing, was married with a son. Step by step, I was growing professionally, and my family was very supportive. My son started learning to play the piano when he was seven and started learning to play the trumpet later.
My wife, Alla, has been teaching music theory, sol-fa and piano at a music school for twenty years! Aslanyan has lived in Israel since He mostly occupies himself with composing. Besides, he writes in multiple different styles and genres. His pieces are well-known both among performers and among students. I am talking about his pieces for solo instruments and vocal soloists, choral music, music for chamber, wind and symphonic orchestras.
I am not exaggerating by saying that Noubar continues the traditions of such prominent Armenian composers as A. Khachaturian, A. Spendiarov, G. Yeghiazaryan, G. Akhinyan, E. Oganesian, E. Mirzoyan and others. So, Israel. Noubar, what were your first impressions of reality in the new country and how do you feel about it today? Inthe Ministry of Defense organized a contestant for the best military march.
Quote by M. It was a very interesting job, but also a very challenging one. As I was working, I marked three marches which were different from the rest due to their originality and their rich, professional orchestration. The power and the beauty of their music reminded me of marches by Alexander Chernetsky, co-founder of the genre of Russian military march. There was another thing I liked: all the marches by the author I picked resembled of traditional Armenian music.
Much health and much inspiration to Noubar! Do you find some of your pieces to be of primary importance? All of these are what I call my program pieces.
However, to me, all of my pieces are like my children, I love all of them equally. I also was a MP and I helped many. Probably, the Lord sees it all and repays us. My daughter went to Yerevan to for the oral defense of her thesis. It certainly gives us more freedom.
On the first floor, they were selling notes and records. I nearly worshipped this composer! I ran downstairs and bought three records at once. As I came back up to the hall, all of a sudden I saw three great composers of the time: D. Kabalevsky, T. Khrennikov, A. Apart from being a good husband, Noubar is a great father and grandfather! A series of concerts Заковали - Белый Орёл* - Как Мы Любим (CD dedicated to this sad event.
One of the most memorable ones was the one of the National Philharmonic Orchestra with their principal conductor and artistic director, Eduard Topchjan who is also a Meritorious Worker of Art of Armenia. He has mastered multiple musical genres. Many of his greatest pieces have been performed in Armenia.
The solo was performed by the wonderful Israeli trumpeter Ram Oren who was very easy to communicate and work with. I wish much of inspiration to Noubar. A Colleague about a Colleague: Boris Levenberg, Composer It so happens that Noubar Aslanyan and I have something in common apart from being colleagues: we both had some absorption problems as we repatriated to Israel in the aliyah of the 90th, and we happened to be neighbors.
I remember our Saturday walks through our part of Haifa. I felt like I met an interesting guy whose views on music and composition were very close to mine. I was also charmed by his great sense of humor. Leto Nika Tesir Ulka Rrr Irina Catlynn Dmitriy Irma Mordva Rado LCD Dale Olga L Radolini SVet SkeLNL Per aspera ad astra.
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